E-KİTAP PROJESİ & CHEAPEST BOOKS

This book is illustrated version of the Wells' "The Discovery of the Future",

"..I suppose that three hundred years ago all people who thought at all about moral questions, about questions of Right and Wrong, deduced their rules of conduct absolutely and unreservedly from the past, from some dogmatic injunction, some finally settled decree. The great mass of people do so to-day. It is written, they say. “Thou shalt not steal,” for example—that is the sole, complete, sufficient reason why you should not steal, and even to-day there is a strong aversion to admit that there is any relation between the actual consequences of acts and the imperatives of right and wrong. Our lives are to reap the fruits of determinate things, and it is still a fundamental presumption of the established morality that one must do right though the heavens fall.

This Book is Illustrated & Complete version of the "Don Quixote" by Cervantes.

About This Translation:
"It was with considerable reluctance that I abandoned in favour of the present undertaking what had long been a favourite project: that of a new edition of Shelton's "Don Quixote," which has now become a somewhat scarce book. There are some—and I confess myself to be one—for whom Shelton's racy old version, with all its defects, has a charm that no modern translation, however skilful or correct, could possess. Shelton had the inestimable advantage of belonging to the same generation as Cervantes; "Don Quixote" had to him a vitality that only a contemporary could feel; it cost him no dramatic effort to see things as Cervantes saw them; there is no anachronism in his language; he put the Spanish of Cervantes into the English of Shakespeare. Shakespeare himself most likely knew the book; he may have carried it home with him in his saddle-bags to Stratford on one of his last journeys, and under the mulberry tree at New Place joined hands with a kindred genius in its pages.

This is illustrated Eccentricities of the Animal Creation ..
CURIOUS creatures of Animal Life have been objects of interest to mankind in all ages and countries; the universality of which may be traced to that feeling which "makes the whole world kin."
It has been remarked with emphatic truth by a popular writer, that "we have in the Bible and in the engraven and pictorial records the earliest evidence of the attention paid to Natural History in general. The 'navy of Tarshish' contributed to the wisdom of him who not only 'spake of the trees from the cedar of Lebanon, even unto the hyssop that springeth out of the wall,' but 'also of beasts, and of fowls, and of creeping things, and of fishes,' to say nothing of numerous other passages showing the progress that zoological knowledge had already made. The Egyptian records bear testimony to a familiarity not only with the forms of a multitude of wild animals, but with their habits and geographical distribution."

Emile, is a treatise on the nature of education and on the nature of man written by Jean-Jacques Rousseau, who considered it to be the “best and most important of all my writings”. Due to a section of the book entitled “Profession of Faith of the Savoyard Vicar,” Emile was banned in Paris and Geneva and was publicly burned in 1762, the year of its first publication.

Euthyphro (right-minded or sincere) is one of Plato's early dialogues, dated to after 399 BC. Taking place during the weeks leading up to Socrates' trial, the dialogue features Socrates and Euthyphro, a religious expert also mentioned at Cratylus 396a and 396d, attempting to define piety or holiness. Euthyphro has come to lay manslaughter charges against his father, as his father had allowed one of his workers to die exposed to the elements without proper care and attention.

Eve's Diary is a comic short story by Mark Twain. It is written in the style of a diary kept by the first woman in the Judeo-Christian creation story, Eve, and is claimed to be "translated from the original MS." The "plot" of this novel is the first-person account of Eve from her creation up to her burial by, her mate, Adam, including meeting and getting to know Adam, and exploring the world around her, Eden. The story then jumps 40 years into the future after the Fall and expulsion from Eden.

The object of this book, which is addressed to all cultured men and women, is to set forth the primitive manifestations of love and to throw light on those strange emotional climaxes which I have called "Metaphysical Eroticism."

Overview
In This important book & These Essays, or rather Lectures, contain the first-fruits of the earliest systematic attempt to apply the theory of Evolution to the products of human handiwork. In their original form they have long been difficult to obtain; they are reprinted now to supply the needs of candidates for the Oxford Diploma in Anthropology, and of the numerous visitors to the Pitt-Rivers Museum in Oxford. But they will certainly appeal to a far wider public also, as a brief and authentic statement of their author’s discoveries.

This highly educational book comprises a series of essays by the intellectual and scientist Grant Allen, author and novelist, and a successful upholder of many scientific theories. As a scientist Allen was an evolutionist, and as a novelist one of his most persistent themes was the effect of heredity. Even his lighter and more popular works evidence not only his scientific outlook but also his persistent questioning of established convention and of institutions and officials that uphold it. A walk with him was an education in botany and zoology, and he had no whimsies or quirks; he was always reasonable, good-tempered, vivacious, bright, and interested in every human interest. . . .

Goethe’s masterpiece and perhaps the greatest work in German literature, Faust has made the legendary German alchemist one of the central myths of the Western world. Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience, or knowledge can lead him to a moment he would wish to last forever. Here, in Faust, Part I, the tremendous versatility of Goethe’s genius creates some of the most beautiful passages in literature. Here too we experience Goethe’s characteristic humor, the excitement and eroticism of the witches’ Walpurgis Night, and the moving emotion of Gretchen’s tragic fate.