A Journal of the Plague Year, A work that is often read as if it were non-fiction is his account of the Great Plague of London in 1665: A Journal of the Plague Year, a complex historical novel published in 1722.
Bring out your dead! The ceaseless chant of doom echoed through a city of emptied streets and filled grave pits. For this was London in the year of 1665, the Year of the Great Plague....In 1721, when the Black Death again threatened the European Continent, Daniel Defoe wrote "A Journal of the Plague Year" to alert an indifferent populace to the horror that was almost upon them.

This book belongs to the most rare of men. Perhaps not one of them is yet alive. It is possible that they may be among those who understand my “Zarathustra”: how could I confound myself with those who are now sprouting ears?—First the day after tomorrow must come for me. Some men are born posthumously.

Euthyphro (right-minded or sincere) is one of Plato's early dialogues, dated to after 399 BC. Taking place during the weeks leading up to Socrates' trial, the dialogue features Socrates and Euthyphro, a religious expert also mentioned at Cratylus 396a and 396d, attempting to define piety or holiness. Euthyphro has come to lay manslaughter charges against his father, as his father had allowed one of his workers to die exposed to the elements without proper care and attention.

Through the Looking-Glass, and What Alice Found There (1871) is a novel by Lewis Carroll (Charles Lutwidge Dodgson), the sequel to Alice's Adventures in Wonderland (1865). The themes and settings of Through the Looking-Glass make it a kind of mirror image of Wonderland: the first book begins outdoors, in the warm month of May (4 May), uses frequent changes in size as a plot device, and draws on the imagery of playing cards; the second opens indoors on a snowy, wintry night exactly six months later, on 4 November (the day before Guy Fawkes Night), uses frequent changes in time and spatial directions as a plot device, and draws on the imagery of chess. In it, there are many mirror themes, including opposites, time running backwards, and so on.

Charles Perrault was born more than 300 years ago, in 1628. He wrote many books, but he will be remembered forever for just one: Stories or Tales from Times Past, with Morals: Tales of Mother Goose. The book contained only eight fairy tales, and they have become classics around the world. You have probably heard some of these stories in your own life!

- Sleeping Beauty
- Little Red Riding Hood
- Blue Beard
- Puss In Boots
- The Fairies
- Cinderella
- Ricky With The Tuft
- Little Tom Thumb

n this Volume-two, ”Endeth here the fourth day of the Decameron, beginneth the fifth, in which under the rule of Fiammetta discourse is had of good fortune befalling lovers after divers direful or disastrous adventures. ”
All the east was white, nor any part of our hemisphere unillumined by the rising beams, when the carolling of the birds that in gay chorus saluted the dawn among the boughs induced Fiammetta to rise and rouse the other ladies and the three gallants; with whom adown the hill and about the dewy meads of the broad champaign she sauntered, talking gaily of divers matters, until the sun had attained some height.

Trees filtering light onto dapple grass. Trees like tall, languid ladies with feather fans coquetting airily with the ugly roof of the monastery. Trees like butlers, bending courteously over placid walks and paths. Trees, trees over the hills on either side and scattering out in clumps and lines and woods all through eastern Maryland, delicate lace on the hems of many yellow fields, dark opaque backgrounds for flowered bushes or wild climbing garden.

"The Spanish Tragedy", or "Hieronimo" is Mad Again is an Elizabethan tragedy written by Thomas Kyd between 1582 and 1592. Highly popular and influential in its time, The Spanish Tragedy established a new genre in English theatre, the revenge play or revenge tragedy. Its plot contains several violent murders and includes as one of its characters a personification of Revenge.

Daniel Defoe's faith-filled The Further Adventures of Robinson Crusoe finds Crusoe bored with his prosperity and consumed by an irresistible longing to return to the island he left many years before.

Underground*
*The author of the diary and the diary itself are, of course, imaginary. Nevertheless it is clear that such persons as the writer of these notes not only may, but positively must, exist in our society, when we consider the circumstances in the midst of which our society is formed. I have tried to expose to the view of the public more distinctly than is commonly done, one of the characters of the recent past. He is one of the representatives of a generation still living. In this fragment, entitled "Underground," this person introduces himself and his views, and, as it were, tries to explain the causes owing to which he has made his appearance and was bound to make his appearance in our midst. In the second fragment there are added the actual notes of this person concerning certain events in his life.