Underground*
*The author of the diary and the diary itself are, of course, imaginary. Nevertheless it is clear that such persons as the writer of these notes not only may, but positively must, exist in our society, when we consider the circumstances in the midst of which our society is formed. I have tried to expose to the view of the public more distinctly than is commonly done, one of the characters of the recent past. He is one of the representatives of a generation still living. In this fragment, entitled "Underground," this person introduces himself and his views, and, as it were, tries to explain the causes owing to which he has made his appearance and was bound to make his appearance in our midst. In the second fragment there are added the actual notes of this person concerning certain events in his life.

Ever the same—the noiseless entry, the quietly spoken request for the lawyer. Martin repressed a flash of irritation; the little Japanese, with his uncanny soft-footedness and stereotyped address, got upon his nerves. However, his orders were explicit; Mr. Smatt would see Dr. Ichi without delay or preliminary, whenever Dr. Ichi favored the office with a visit. It was already the third visit that day, but orders were orders.

Goethe’s masterpiece and perhaps the greatest work in German literature, Faust has made the legendary German alchemist one of the central myths of the Western world. Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience, or knowledge can lead him to a moment he would wish to last forever. Here, in Faust, Part I, the tremendous versatility of Goethe’s genius creates some of the most beautiful passages in literature. Here too we experience Goethe’s characteristic humor, the excitement and eroticism of the witches’ Walpurgis Night, and the moving emotion of Gretchen’s tragic fate.

Joyce was born into a middle class family in Dublin, where he excelled as a student at Jesuit schools Clongowes and Belvedere, then at University College Dublin. In early twenties he emigrated permanently to continental Europe, living in Trieste, Paris and Zurich. Though most of his adult life was spent abroad, Joyce's fictional universe does not extend far beyond Dublin, and is populated largely by characters who closely resemble family members, enemies and friends from his time there; Ulysses in particular is set with precision in the streets and alleyways of the city. Shortly after the publication of Ulysses he elucidated this preoccupation somewhat, saying; "For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to heart of all the cities of the world. In the particular is contained the universal." Nevertheless, Joyce complained that, "I may have oversystematised Ulysses," and played down the mythic correspondences by eliminating the had been taken from Homer.

Slowly welling from the point of her gold nib, pale blue ink dissolved the full stop; for there her pen stuck; her eyes fixed, and tears slowly filled them. The entire bay quivered; the lighthouse wobbled; and she had the illusion that the mast of Mr. Connor's little yacht was bending like a wax candle in the sun.

TO MY PUPIL.
Beloved pupil! Tamed by thee,
Addish-, Subtrac-, Multiplica-tion,
Division, Fractions, Rule of Three,
Attest thy deft manipulation!

Then onward! Let the voice of Fame
From Age to Age repeat thy story,
Till thou hast won thyself a name
Exceeding even Euclid's glory!

In 1915 Horace Tarbox was thirteen years old. In that year he took the examinations for entrance to Prince-ton University and received the Grade A—excellent—in Cæsar, Cicero, Vergil, Xenophon, Homer, Algebra, Plane Geometry, Solid Geometry, and Chemistry.

"The Spanish Tragedy", or "Hieronimo" is Mad Again is an Elizabethan tragedy written by Thomas Kyd between 1582 and 1592. Highly popular and influential in its time, The Spanish Tragedy established a new genre in English theatre, the revenge play or revenge tragedy. Its plot contains several violent murders and includes as one of its characters a personification of Revenge.

Daniel Defoe's faith-filled The Further Adventures of Robinson Crusoe finds Crusoe bored with his prosperity and consumed by an irresistible longing to return to the island he left many years before.

Willa Cather's Lucy Gayheart gropes a wistful way back to the time of the horse and buggy, when some men and some women loved deeply and truly and make themselves miserable and hugged their misery.
Small towns, no less than Vienna and the Paris Left Bank and a Greenwich Village as dirty and noisy then as it is now.