To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw. He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox). Indeed he knows no more about the dramatic art than, according to his own story in "The Man of Destiny," Napoleon at Tavazzano knew of the Art of War. But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre. Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

Anna Karenina is a novel by the Russian writer Leon Tolstoy, published in serial installments from 1873 to 1877 in the periodical The Russian Messenger. Tolstoy clashed with editor Mikhail Katkov over political issues that arose in the final installment (Tolstoy's unpopular views of volunteers going to Serbia); therefore, the novel's first complete appearance was in book form. Widely regarded as a pinnacle in realist fiction, Tolstoy considered Anna Karenina his first true novel, when he came to consider War and Peace to be more than a novel.

Moby Dick, or the Whale, A common consensus among critics is that at this point, the book was a familiar sea yarn along the lines of his earlier work. Melwille, He has been described as "the most ambitious book ever conceived by an American writer." In Moby-Dick, Melville employs stylized language, symbolism, and metaphor to explore numerous complex themes.

On the 12th of August, 18— (just three days after my tenth birthday, when I had been given such wonderful presents), I was awakened at seven o'clock in the morning by Karl Ivanitch slapping the wall close to my head with a fly-flap made of sugar paper and a stick. He did this so roughly that he hit the image of my patron saint suspended to the oaken back of my bed, and the dead fly fell down on my curls. I peeped out from under the coverlet, steadied the still shaking image with my hand, flicked the dead fly on to the floor, and gazed at Karl Ivanitch with sleepy, wrathful eyes. He, in a parti-coloured wadded dressing- gown fastened about the waist with a wide belt of the same material, a red knitted cap adorned with a tassel, and soft slippers of goat skin, went on walking round the walls and taking aim at, and slapping, flies.

The story contained herein was written by Charles Dickens in 1867. It is the second of four stories entitled “Holiday Romance” and was published originally in a children’s magazine in America. It purports to be written by a child aged seven. It was republished in England in “All the Year Round” in 1868. For this and four other Christmas pieces Dickens received £1,000.

“Holiday Romance” was published in book form by Messrs Chapman & Hall in 1874, with “Edwin Drood” and other stories.
For this reprint the text of the story as it appeared in “All the Year Round” has been followed.

THIS BOOK, prepared as in included "Two volumes in ONE BOOK (Contains Vol. I & II) and Unabridged Translation" by James Murphy. And This translation of the unexpurgated edition of "MEIN KAMPF" was first published on March 21st, 1939..

IN this book a number of dialects are used, to wit: the Missouri negro dialect; the extremest form of the backwoods Southwestern dialect; the ordinary "Pike County" dialect; and four modified varie-ties of this last. The shadings have not been done in a haphazard fashion, or by guesswork; but painstakingly, and with the trustworthy guidance and support of personal familiarity with these several forms of speech.

“Midsummer Night's Dream” is Shakespeare's classic tale of two couples who can't quite pair up to everyone's satisfaction. Demetrius and Lysander love Hermia.

Barchester Towers concerns the leading clergy of the cathedral city of Barchester. The much loved bishop having died, all expectations are that his son, Archdeacon Grantly, will succeed him. Owing to the passage of the power of patronage to a new Prime Minister, a newcomer, the far more Evangelical Bishop Proudie, gains the see. His wife, Mrs. Proudie, exercises an undue influence over the new bishop

The Vicomte de Bragelonne (Etext 2609): It is the year 1660, and D'Artagnan, after thirty-five years of loyal service, has become disgusted with serving King Louis XIV while the real power resides with the Cardinal Mazarin, and has tendered his resignation. He embarks on his own project, that of restoring Charles II to the throne of England, and, with the help of Athos, succeeds, earning himself quite a fortune in the process. D'Artagnan returns to Paris to live the life of a rich citizen, and Athos, after negotiating the marriage of Philip, the king's brother, to Princess Henrietta of England, likewise retires to his own estate, La Fere. Meanwhile, Mazarin has finally died, and left Louis to assume the reigns of power, with the assistance of M. Colbert, formerly Mazarin's trusted clerk.