When Jesus arrives, Hades bids his servants to bolt and lock the doors, but to no avail; Jesus shatters the gates and enters. He seizes Satan and binds him in iron chains, then consigning him into Hades’s keeping until the second coming. Jesus next turns his attention to the patriarchs. He raises up Adam, along with all the prophets and the saints.

The Theosophical teaching, that a man can be thus specially helped only when his past actions have been such as to deserve this assistance, and that even then the help will be given through those who are comparatively near his own level, is free from this serious objection ; and it furthermore brings back to us the older and far grander conception of an unbroken ladder of living beings extending down from the Logos Himself to the very dust beneath our feet.

Death Comes for the Archbishop is the story, not of death, but of life, for Miss Cather’s Archbishop Latour died of having lived. She is concerned, not with any climactic moment in a career, but with the whole broad view of the career. There is no climax, short of the gentle end.

Eve's Diary is a comic short story by Mark Twain. It is written in the style of a diary kept by the first woman in the Judeo-Christian creation story, Eve, and is claimed to be "translated from the original MS." The "plot" of this novel is the first-person account of Eve from her creation up to her burial by, her mate, Adam, including meeting and getting to know Adam, and exploring the world around her, Eden. The story then jumps 40 years into the future after the Fall and expulsion from Eden.

It is said, though we cannot vouch for the accuracy of the statement, that in a certain book on the natural history of Ireland there occurs a remarkable and oft-quoted chapter on Snakes — the said chapter consisting of the words, "There are no snakes in Ireland."

The text in this edition is as nearly as possible that of the eighth, which was corrected by Bunyan himself a few weeks before his death. The text of ‘A Relation’ is that of the first edition of 1765. A few minor changes have been introduced for the convenience of the reader.

Goethe’s masterpiece and perhaps the greatest work in German literature, Faust has made the legendary German alchemist one of the central myths of the Western world. Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience, or knowledge can lead him to a moment he would wish to last forever. Here, in Faust, Part I, the tremendous versatility of Goethe’s genius creates some of the most beautiful passages in literature. Here too we experience Goethe’s characteristic humor, the excitement and eroticism of the witches’ Walpurgis Night, and the moving emotion of Gretchen’s tragic fate.

No more graphic picture of the essential nature of Karma has ever been given than in these words, taken from one of the early letters of Master K. H. If these are clearly understood, with all their implications, the perplexities which surround the subject will for the most part disappear, and the main principle underlying karmic action will be grasped.

Saint Joan is a play by George Bernard Shaw about 15th century French military figure Joan of Arc. Premiering in 1923, three years after her canonization by the Roman Catholic Church, the play dramatises what is known of her life based on Substantial records of her trial. Shaw studied the transcripts and decided that concerned people acted

EY ARKADAŞ! “KUR’AN-I HAKİM’in, Tarih-i Kadim’in derinliklerine bakan ve Eskilerin Hikayeleri şeklinde anlatılagelen mühim bir sırrına bakan, ONÜÇ TARİHİ MÜTEŞABİH AYETİNDEN istifade ettiğim, ON KISA PARLAK KISSA’dan ibarettir. Tamamı, BİR MUKADDİME ile tarihin derinliklerine uzanan ON KISSA’dan oluşan ON EFSANE ile sonuç niteliğindeki BİR HATİME’den oluşan 22 DERS’ten ibarettir..”