This book is merely a personal narrative, and not a pretentious history or a philosophical dissertation. It is a record of several years of variegated vagabondizing, and its object is rather to help the resting reader while away an idle hour than afflict him with metaphysics, or goad him with science.

WHEN the world was in its childhood, men looked upon the works of Nature with a strange kind of awe. They fancied that every thing upon the earth, in the air, or in the water, had a life like their own, and that every sight which they saw, and every sound which they heard, was caused by some intelligent being. All men were poets, so far as their ideas and their modes of expression were concerned, although it is not likely that any of them wrote poetry. This was true in regard to the Saxon in his chilly northern home, as well as to the Greek in the sunny southland.

Ten minutes later a passing taxi was hailed by a shivering gentleman carrying an iron pot full of pennies and nickels and an occasional quarter in one hand, and a turkey-red coat, trimmed with white cotton cloth, thrown over his arm. Strange to say, considering the inclemency of the night, he wore neither a hat nor an overcoat.

Jonas Lie is sufficiently famous to need but a very few words of introduction. Ever since 1870, when he made his reputation by his first novel, "Den Fremsynte," he has been a prime favourite with the Scandinavian public, and of late years his principal romances have gone the round of Europe. He has written novels of all kinds, but he excels when he describes the wild seas of Northern Norway, and the stern and hardy race of sail-ors and fishers who seek their fortunes, and so often find their graves, on those dangerous waters.

MY Dear Young Folks,—In the first book which I wrote for you, we traveled together through the Gorilla Country, and saw not only the gigantic apes, but also the cannibal tribes which eat men.

In the second book we continued our hunting, and met leopards, elephants, hippopotami, wild boars, great serpents, etc., etc. We were stung and chased by the fierce Bashikouay ants, and plagued by flies.

"A Visit from St. Nicholas", more commonly known as "The Night Before Christmas" and "'Twas the Night Before Christmas" from its first line, is a poem first published anonymously in 1823 and later attributed to Clement Clarke Moore, who claimed authorship in 1837.

“There’s no music like a little river’s. It plays the same tune (and that’s the favourite) over and over again, and yet does not weary of it like men fiddlers.
It takes the mind out of doors; and though we should be grateful for good houses, there is, after all, no house like God’s out-of-doors. And lastly, sir, it quiets a man down like saying his prayers.”——

Robert Louis Stevenson: Prince Otto.

IT was a bright, beautiful, warm day when our ship spread her canvas to the breeze, and sailed for the regions of the south. Oh, how my heart bounded with delight as I listened to the merry chorus of the sailors, while they hauled at the ropes and got in the anchor! The captain shouted; the men ran to obey; the noble ship bent over to the breeze, and the shore gradually faded from my view, while I stood looking on with a kind of feeling that the whole was a delightful dream.

It was in October that Mary Chavah burned over the grass of her lawn, and the flame ran free across the place where in Spring her wild flower bed was made. Two weeks later she had there a great patch of purple violets.

Children's and Household Tales (German: Kinder- und Hausmärchen) is a collection of German fairy tales first published in 1812 by the Grimm brothers, Jacob and Wilhelm. The collection is commonly known in the Anglosphere as Grimm's Fairy Tales (German: Grimms Märchen).
Composition
The first volume of the first edition was published, containing 86 stories; the second volume of 70 stories followed in 1814. For the second edition, two volumes were issued in 1819 and a third in 1822, totalling 170 tales. The third edition appeared in 1837; fourth edition, 1840; fifth edition, 1843; sixth edition, 1850; seventh edition, 1857. Stories were added, and also subtracted, from one edition to the next, until the seventh held 211 tales. All editions were extensively illustrated, first by Philipp Grot Johann and, after his death in 1892, by Robert Leinweber.