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Charles, Madame Bovary's husband, is not the brightest of creatures, but he dearly loves his wife, puts her on a pedastal, and indulges her by giving her whatever she wants. Although she repays his loyalty and quiet devotion with emotional, financial and physical ruin, his love is steadfast, pure and true. The title is 'Madame Bovary' but the real hero is her sweet kind husband Charles and, to a lesser extent her child, Berthe, who loves her mother unconditionally despite the fact that her mother hardly seems to truly care about anyone but herself.

When the gorgeous Henry Crawford and his pretty sister, Mary, come to Mansfield, they have no idea of the commotion they will cause. There they find the Bertram family, with their beautiful daughters and handsome sons-and our heroine, shy and sweet Fanny Price. As the inhabitants of Mansfield Park become ever more involved with the Crawfords, a scandal of devastating proportions begins to unfold.

Judge Hoyt’s strong, keen face took on a kindlier aspect and his curt “Hello!” was followed by gentler tones, as he heard the voice of the girl he loved, over the telephone.
“What is it, Avice?” he said, for her speech showed anxiety.
“Uncle Rowly,—he hasn’t come home yet.”

The Memoirs of the time of Napoleon may be divided into two classes—those by marshals and officers, of which Suchet's is a good example, chiefly devoted to military movements, and those by persons employed in the administration and in the Court, giving us not only materials for history, but also valuable details of the personal and inner life of the great Emperor and of his immediate surroundings. Of this latter class the Memoirs of Bourrienne are among the most important.

Leonardo Da Vinci, Born on April 15, 1452, in Vinci, Italy, Leonardo da Vinci was concerned with the laws of science and nature, which greatly informed his work as a painter, sculptor, inventor and draftsmen. His ideas and body of work—which includes "Virgin of the Rocks," "The Last Supper," "Leda and the Swan" and "Mona Lisa"—have influenced countless artists and made da Vinci a leading light of the Italian Renaissance.

Charles Darwin's The Origin of Species, published on 24 November 1859, is a work of scientific literature which is considered to be the foundation of evolutionary biology. Its full title was On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life. For the sixth edition of 1872, the short title was changed to The Origin of Species. Darwin's book introduced the scientific theory that populations evolve over the course of generations through a process of natural selection. It presented a body of evidence that the diversity of life arose by common descent through a branching pattern of evolution. Darwin included evidence that he had gathered on the Beagle expedition in the 1830s and his subsequent findings from research, correspondence, and experimentation. Also added a Glossary on the Evolution The glossary is arranged alphabetically. Although you may find many of the terms familiar, the definitions and explanations frequently etymology..

Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton. The first version, published in 1667, consisted of ten books with over ten thousand lines of verse(in the manner of Virgil's Aeneid) with minor revisions throughout and a note on the versification. It is considered by critics to be Milton's "major work", and helped solidify his reputation as one of greatest English poets of his time.

The author has no apology to offer for the production of this book. He has spent his life in environments that have brought him into constant contact with mechanics, artisans and laborers as well as professional men, engineers, chemists and technical experts of various types. He knows a great many men—young men, for the most part—are constantly working on the old, old problem of Perpetual Motion; that much money, and much time are being spent in search of a solution for that problem which all scientific and technical men tell us is impossible of solution.

Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened:
"ELLIOT OF KELLYNCH HALL.

As a poet, he transmuted his affinity for the English metaphysical poets of the 17th century (most notably John Donne) and the 19th century French symbolist poets (including Baudelaire and Laforgue) into radical innovations in poetic technique and subject matter. His poems in many respects articulated the disillusionment of a younger post-World-War-I generation with the values and conventions—both literary and social—of the Victorian era. As a critic also, he had an enormous impact on contemporary literary taste, propounding views that, after his conversion to orthodox Christianity in the late thirties, were increasingly based in social and religious conservatism.