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Philip Haldane and his sister lived in a little red-roofed house in a little redroofed town. They had a little garden and a little balcony, and a little stable with a little pony in it—and a little cart for the pony to draw; a little canary hung in a little cage in the little bow-window, and the neat little servant kept everything as bright and clean as a little new pin.

I Will Repay in 1906, this is a sequel novel to the Scarlet Pimpernel. The second was written by Baroness Emmuska Orzcy and originally published Pimpernel book written by Orzcy, it comes (chronologically) third in the series and should be read after Sir Percy Leads the Band and before The Elusive Pimpernel.

The Prophet is a book of 26 prose poetry essays written in English by the Lebanese artist, philosopher and writer Kahlil Gibran. The prophet, Almustafa, has lived in the foreign city of Orphalese for 12 years and is about to board a ship which will carry him home. He is stopped by a group of people, with whom he discusses topics such as life, human

"Winner of the Pulitzer Prize"

So Big is a 1924 novel written by Edna Ferber. The book was inspired by the life of Antje Paarlberg in the Dutch community of South Holland, Illinois, a Chicago suburb. It won the Pulitzer Prize for the Novel in 1925.

This Excellent Collection brings together Orwell's longer, major books and a fine selection of shorter pieces.

The story begins on Epiphany (6 January), 1482, the day of the Feast of Fools in Paris, France. Quasimodo, a deformed hunchback who is the bell-ringer of Notre Dame, is introduced by his crowning as the Pope of Fools.

This Book is Illustrated & Complete version of the "Don Quixote" by Cervantes.

About This Translation:
"It was with considerable reluctance that I abandoned in favour of the present undertaking what had long been a favourite project: that of a new edition of Shelton's "Don Quixote," which has now become a somewhat scarce book. There are some—and I confess myself to be one—for whom Shelton's racy old version, with all its defects, has a charm that no modern translation, however skilful or correct, could possess. Shelton had the inestimable advantage of belonging to the same generation as Cervantes; "Don Quixote" had to him a vitality that only a contemporary could feel; it cost him no dramatic effort to see things as Cervantes saw them; there is no anachronism in his language; he put the Spanish of Cervantes into the English of Shakespeare. Shakespeare himself most likely knew the book; he may have carried it home with him in his saddle-bags to Stratford on one of his last journeys, and under the mulberry tree at New Place joined hands with a kindred genius in its pages.

"The Canterville Ghost" is a popular story by Oscar Wilde, widely adapted for the screen and stage. The story of the Canterville Ghost takes place in an old English country house, Canterville Chase, which has all the accoutrements of a traditional haunted house. Descriptions of the wainscotting, the library paneled in black oak, and the armor in the hallway characterize the Gothic setting and help Wilde clash the Old World with the New. Typical of the style of the English Decadents, the gothic atmosphere reveals the author’s fascination with the macabre. Yet he mixes the macabre with comedy, juxtaposing devices from traditional English ghost stories such as creaking floorboards, clanking chains, and ancient prophecies with symbols of modern American consumerism. Wilde’s Gothic setting helps emphasize the contrast between cultures setting modern Americans in what could arguably be a classic symbol of British history—and underscores the "modern" thinking of the house's mismatched residents, the Otises.

Dead Souls, is a novel by Nikolai Gogol, first published in 1842, and widely regarded as an exemplar of 19th-century Russian literature. The purpose of the novel was to demonstrate the flaws and faults of the Russian mentality and character. Gogol masterfully portrayed those defects through Pavel Ivanovich Chichikov (the main character) and the people whom he encounters in his endeavours. These people are typical of the Russian middle-class of the time. Gogol himself saw it as an "epic poem in prose", and within the book as a "novel in verse". Despite supposedly completing the trilogy's second part, Gogol destroyed it shortly before his death. Although the novel ends in mid-sentence (like Sterne's Sentimental Journey)

ESCAPE

COME, shall we go, my comrade, from this den
Where falsehood reigns and we have dallied long?
Exchange the curious vanities of men
For roads of freedom and for ships of song?