Sketches of Seymour

Sketches of Seymour

Printed: 16.99 $eBook: 6.99 $
Author:
Series: Yellow Line Art Books
Genres: Art Books, Non-Fiction
Publisher: e-Kitap Projesi & Cheapest Books
Publication Year: 2016
Format: (eBook + Printed)
Length: English, 6.7" x 9.6" (16 x 24 cm), 286 pages
ASIN: B01L5OJ0IC
ISBN: 9786059654210
Rating:

"SKETCHES BY SEYMOUR" was published in various versions about 1836. The copy used for this Edition has no date and was published by Thomas Fry, London. Some of the 90 plates note only Seymour's name, many are inscribed "Engravings by H. Wallis from sketches by Seymour." The printed book appears to be a compilation of five smaller volumes. From the confused chapter titles the reader may well suspect the printer mixed up the order of the chapters.
The complete book in this paperback edition is split into five smaller Volumes “The individual volumes are of more manageable size than the 90 Chapter” complete version.

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About the Book
The importance of this collection is in the engravings. The text is often mundane, is full of conundrums and puns popular in the early 1800's -and is mercifully short. No author is given credit for the text though the section titled, "The Autobiography of Andrew Mullins" may give us at least his pen-name..) 

Robert Seymour (1798 –1836) was a British illustrator. Seymour is known for his illustrations of the works of Charles Dickens and for his caricatures. 

Seymour was born in Somerset, England in 1798, the second son of Henry Seymour and Elizabeth Bishop. Soon after moving to London Henry Seymour died, leaving his wife, two sons and daughter impoverished. In 1827 his mother died, and Seymour married his cousin Jane Holmes, having two children, Robert and Jane. 

After his father died, Robert Seymour was apprenticed as a pattern-drawer to a Mr. Vaughan of Duke Street, Smithfield, London. Influenced by painter Joseph Severn, du-ring frequent visits to his uncle Thomas Holmes of Hoxton, Robert’s ambition to be a professional painter was achieved at the age of 24 when, in 1822, his painting of a scene from Torquato Tasso’s Jerusalem Delivered, with over 100 figures, was exhibited at the Royal Academy.

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